Hermès FW24: Hmeichhia tihchakna

Eng thilin nge Hermès hi khawvela in man to ber ber a nih tir? Label nei thil pakhat zel literally a famkimna bakah hian thil dang pawh a awm bawk. Quality hmuh theih loh, sawifiah harsa leh siam chhuah harsa zawk a ni a, mahse chutih rual chuan thil pawimawh tak a ni bawk — chu chu understatement kan ti a ni. He quality hi luxury inrem lo ber berte chu serene leh nonchalant berin a present theihna a ni a, a man pawh telin point of view tin atanga thil danglam bik tak tak chu thil natural leh simple tak tak pawha dah chhuah theihna a ni a, an inelpui tam tak tan ang lo takin, for Hermès hei hi immanent characteristic a ni a, natural attribute a ni, tih theih a ni. Hei hi tunlaia kan hriat tam tak, quiet luxury nen hian inzawmna a nei lo va, chu chu absolutely invented, artificially constructed concept a ni. He collection atanga thawmhnaw engmah ah hian Hermès tih hming hi i hmu lovang a, chutih rual chuan pakhat zel chu a hmasa berah chuan hriat theih tak a ni. Luxury reh tak a ni em? Ka’n hre lo, mahse hei hi ultimate luxury a ni tih ka hria.

Hermès hmeichhiate chu an chak em em a, a rei tawh hle — equestrian motifs awm reng leh biker-te sawina pangngai lo tak takte chuan hetah hian synergy dik tak a siam a ni . Hmeichhe collection-a artistic director Nadège Vanhee chuan he collection-a reference-te hi thil dang dang bakah Britain aṭanga lo kal a ni tih a sawi — chu chu Hermès history-ah pawh Jean Paul Gaultier-a FW2010 Anglophilia collection hriatreng mai maiin kan hmu thei a — a tam tak zet a ni a chhunga British classics te: trench coat rit tak tak, raincoat, riding jacket leh boots, removable quilted pads, The Crown series atanga lo chhuak chauh ang maia lang vek. Mahse Hermès hmeichhiate hian an chakna chu heng thil changkang tak takah hian an hmu tam lo va, a chung berah chuan, total leather looks-ah — voluminous jackets with round shoulders that have an inner belt you can use to cinch the waist, in the tight, body- hugging stretch leather trousers, cropped leh slightly flared, Nadège Vanhee-i signature leather tops, a kawngah strap awm, tightly fitting, elongated vests, chin thlenga buttoned-a inthuam. Note hranpaah chuan, collection-ah hian piece pahnih insane tak tak a awm a: shearling apron/vest tawi chi khat leh leather bomber jacket, silk quilted sleeves leh embroidery with glossy ostrich feathers cut in two, horse mane entawn. Kum 1970 chhoa silhouette nei silk dress tlemte, he collection-a tel ve theitu hian he concentrated power hi a ngaih pawimawh chauh a, an fragility nen hian supporting contrast a siam a ni.

And what colors were used! Palette leh rawng inzawmkhawm thlan hi Hermès tan chuan a chak ber fo tih sawi loh theih a ni lo va, mahse tun ṭumah chuan rawngte chu a bik takin a hip hle a, a ni, a chak bawk. Burgundy hausa, chocolate dense tak, étoupe d’Hermès danglam bik shade nem ber, chubakah French butter hmin thar rawng leh scarlet eng mawi tak, kang chhuak, ngaihtuah phak loh khawpa chakna nei. An vai hian podium-ah leh showroom-a ngun zawka an en chuan nghawng nasa tak an nei vek a ni.

Kum 9 kalta khan Nadège Vanhee hian Hermès-ah hian hetiang hmeichhe chak leh rilru na tak tak pawh hi a hmang tan a, he chakna hi a ni a thusawi chu a collection hmasa ber atang khan a ni a, mahse chutah chuan he stern chic hi a hnathawh atang hian a bo deuh ta a ni. Tin, tunah chuan he rigor leh austerity hi Hermès-i hnenah a lo kir leh ta a, mahse a tharin, aloofness nen ni lovin, inrintawkna leh sexiness nen pawh a inzawm a, mahse Hermès chauhin a neih theih ang chiah chiah, sexualization, exploitation, leh Awle, Force hi awmpui rawh se.

Thuziak: Elena Stafyeva