Chanel Haute Couture SS2024 hmanga siam a ni. Ballets Russes tihchhiat

Chanel hian a consistency rintlak tak a nei a, chu chu mi pakhatin mumang chauh a ni. DNA leh heritage kan tih zawng zawng hi an khawlkhawm a, an catalogue a, box-ah an dah a, an label a, pyramid ṭha famkimah an dah khawm a, mi zawng zawngin an ensan a ni: Mademoiselle lem êng tak aṭanga camellia dum hnuhnung ber, ribbon dum leh rangkachak button thlengin. SS2024 couture collection The Button tih chu he detail tak takah hian an inhlan a ni. Mahse eponymous mini-movie serviced by pgLang, Dave Free-a ziah leh direct leh Kendrick Lamar-a score bakah défilé set ceiling hnuaia button lian tak innghat, Kendrick Lamar, Dave Free leh Mike Carson-te design ni mahse, collection chhung ngeia button awmte hi engmah a awm lo. Infuih tharna tak tak chu Ballets Russes a ni a, artistic director Virginie Viard-i’n min hrilh angin, he collection hi Chanel-a’n Diaghilev nena an thawhdunna kum zabi khat tlin lawmna puala buatsaih a ni.

Tin, he key hi kan pek tawh avangin kan tum lo thei lo. He chabi hian awlsam takin he spring collection eng tak mai kawngkhar lian tak hi a hawng a, chutah chuan ballet uniform te chu chiang takin a lang thei a — thawmhnaw zawng zawng hnuaia leggings leh leotards ang chiah hian. Hetah hian dress dum-pink-and-golden plumage ang maia lang — tu ta nge ni? Diaghilev-a character zingah hian eng atan nge a inhmeh ang? L'Oiseau de feu a ni em? — Ni e, L’oiseau de feu a ni mai thei, mahse Virginie Viard atanga light zawka siam a ni a, Léon Bakst atanga sizzling zawkah erawh a ni lo. Tin, nupui nei tur hlim leh tunlai tak tak final look-ah — Virginie Viard hian chutiang mite nen chuan a hlawhtling fo thin — mini dum, puffy tulle sleeves leh a hnung lama cape train sei tak ha chungin Watteau&Rococo chu a rawn lang nghal a, Margaret-i’n opening look a rawn present ang bawkin Qualley kan hmu a, a Pierrot kawr dum puffy tak chu. A nih loh leh Ballets Russes atanga thil lo chhuak a ni leh em? Entirnan, Alexandre Benois-a ziak Pétrouchka? He game ngaihnawm tak hi chhunzawm theih a ni a, a bik takin Virginie Viard ngei pawhin Bakst leh a palette a hriatchhuah avangin, Chanel leh ballet inkara historical connection pawh a ngaih pawimawh hle a, hei hian tun thleng hian Chanel hian Paris Opera Ballet hi a thlawp tih min hriat nawn tir a ni. Mahse a tlangpuiin hetah hian ballet context hi engti kawng mahin ngaih pawimawh a ni lo — hei hi a tender, elegant leh, a pawimawh ber chu, awlsam taka stylized collection a ni a, spectacular tam tak a nei a, mahse theatrical lam erawh a nei lo.

Heng thawmhnaw te hi, a nihna takah chuan, Chanel collection engmahin an phatsan theih loh métiers d’art lawmna a ni — tulle, ruffles, pleats leh lace, draperies, mousseline plume, bow leh pangpar, illusion tulle pocket, sequin te tarlanna embroidery te a ni. An zinga pakhat mah hian heng looks te hi bulkier an siam lo va, chu ai chuan airiness sense a pe zawk. Mahse, ballet bul tanna hmuna kir leh ila, ka rilruah a rawn lang hmasa ber chu, transparent skirt leh jumpsuit ha chunga a hmel hmasa ber ka hmuh meuh chuan, Diaghilev emaw Bakst emaw ni lovin, Margiela a ni a, a transparent protection cover nen chuan a ni look hrang hrang chungah dah a duh. Virginie Viard hian prêt-à-porter SS24 collection-a a tan deconstruction exercise chu chhunzawm zel a tum niin a lang a, thawmhnaw chi hrang hrang chu a cut chhuak a, a inzawm khawm a ni. Mahse haute couture version-ah chuan delicacy leh precision-a siam a ni a, hei hian he collection hi a ti ngaihnawm zual sauh chauh a ni.

Thuziak: Elena Stafyeva

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