Fendi FW24: London leh Rome inkara ngaihsak lohna

Couture leh womenswear lama artistic director Kim Jones chuan hmeichhe thawmhnaw hmangin zawi zawiin kawng a zawng mek a ni. Collection hnuhnung ber aṭang khan a camel-colored mini shorts leh printed silk tunics-ah deconstruction a dah belh a, color palette zawng zawng a thlak danglam vek a ni – heng inthlak danglamna hian a hmeichhe collection style chu a siam thar leh a, ensemble pumpui chu a siam thar leh a, a inmil hle bawk.

He hna hi Fendi FW24-ah pawh chhunzawm leh hmasawn zel a ni. Kim Jones chuan he collection siam tura a infuih tharna pakhat chungchang a sawi a: “Fendi archives-ah kum 1984 kha ka en a. Sketch-te hian chutih hunlaia London khawpui min hriatchhuah tir a: Blitz Kids, New Romantics, hnathawhna thawmhnaw hman dan, aristocratic style, Japanese style...” A sawi zawng zawng hi Fendi FW24-ah hian awlsam takin a lang vek a: layered loose coats, belt leh reminiscent of thlasik thim tak kimono lum tak tak; Victorian jackets cinched at the waist, high closed collar leh wide flat shoulders, wool gabardine atanga siam, straight trousers, a-line skirt thick polished leather atanga siam turtleneck sweater chu a kekawr ipteah a khuh a; plaid fabric in dusky hues.

He infuih tharna dang chu a kalh zawng tak a ni ta a ni. “British subculture leh style-te chu khawvel pum huap a nih a, khawvel pum huap nghawng a lakluh hun lai a ni. Yet still with a British elegance in ease and not given a damn what anybody thinks, Roman style nena inmil thil a ni. Fendi hian utility lamah background a nei a. Tin, Fendi chhungkaw inchei dan pawh hi chu chu mit lain a ni tak zet. Silvia Venturini Fendi ka hmuh hmasak ber ṭum khan ka hre reng a, utilitarian suit chic tak a ha a – Safari suit ang mai a ni. Chu chuan Fendi chu eng nge a nih tih ka ngaihdan chu a bulpui berah a siam a: hmeichhe inchei dan hi thil pawimawh tak tih tur a nei a ni. Tin, a tih lai hian nuam a ti thei bawk,” tiin Mr. Jones chuan a sawi chhunzawm a. Tin, hei hi a ngaihnawm zawkin a langsar lo zawkin a lang: engtin nge Rome leh London hi he updated Kim Jones approach-ah hian an inzawm? A chiang e, Rome сomes to mind when you see the flowing organza looks with a print depicting depicting of marble heads and Madonnas of Madonnas (pakhat chu, a lan dan chuan, literally Michelangelo’s famous Pieta from San Pietro cathedral), beaded circles on other silk looks turtleneck te tak te, layer ang chi, Roman segnora kawr dum crisp tak tak, chain lian tak tak, leh jacket leh coat siamna atana hman Italian savun tha lo tak tak te. Eng thilin nge heng hmun pahnih hi Jones-a Fendi-a a career-a ensemble inzawmkhawm leh inzawmkhawm ber-ah hian a thlunzawm? A hmasa berin, a rawng: tun ṭumah hian dark grey, khaki, dark sea green, burgundy, deep brown, beetroot, leh taupe range ṭha tak a rawn dah khawm a ni. Tin, heng zawng zawng hi Fendi yellow hring hring sparks hmanga stitched leh connected a ni.

A rah chhuah chu a complex deuh a, mahse a mawi leh sophisticated collection a ni ngei ang, chutah chuan heng multi-layering leh complexity of design zawng zawng hi a lang tawh lo so forced, mahse strike one as interesting leh design potential langsar tak nei, kawng hrang hranga siam leh deploy theih. He san zawng hi a thianghlim thuai dawn niin a lang: Kim Jones hi hmeichhe thawmhnaw designer a nih angin mipa thawmhnaw designer ang bawkin thawhrimna nei lo, thil siam chhuah thiam leh zalen tak a ni thei dawn a ni.

Thuziak: Elena Stafyeva